{"id":24337,"date":"2017-05-23T16:44:35","date_gmt":"2017-05-23T15:44:35","guid":{"rendered":"http:\/\/www.nicomokveld.nl\/wordpress\/?p=24337"},"modified":"2020-02-22T18:05:42","modified_gmt":"2020-02-22T17:05:42","slug":"het-is-geen-melk-maar-is-het-kunst","status":"publish","type":"post","link":"https:\/\/www.nicomokveld.nl\/wordpress\/het-is-geen-melk-maar-is-het-kunst\/","title":{"rendered":"Het is geen melk, maar is het kunst?"},"content":{"rendered":"<div id=\"fb-root\"><\/div>\n<p><strong><a href=\"http:\/\/www.ivanalifan.com\/\">Ivan Alifan <\/a>is een getalenteerde kunstenaar die momenteel in Canada woont. Hij is de zoon van de Russische schilder Anna Razumovskaya. Momenteel baart hij opzien met zijn een reeks olieverfschilderijen onder de verzameltitel: It\u2032s Not Milk. Alifan\u2032s portretten combineren overdaad met sensualiteit en doordat het allemaal zo extreem is k\u00e1n het niet anders of roept het sterk wisselende reacties op bij de kijkers. Het is dus geen melk, maar is het kunst?<\/strong><\/p>\n<blockquote><p>\u201cThis series is an exploration of the modern gaze; of ambiguous figurative paintings that are revealed and transformed within the act of the individuals\u2019 views. These portraits are not an attempt to render physical characteristics but rather create a language of underlying sexual subtexts. Using ambiguity as a tool demands the viewer\u2019s exploration of their psyches and provokes self awareness\u201d<\/p><\/blockquote>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-24338\" src=\"http:\/\/www.nicomokveld.nl\/wordpress\/wp-content\/uploads\/0-13.jpg\" alt=\"\" width=\"650\" height=\"977\" srcset=\"https:\/\/www.nicomokveld.nl\/wordpress\/wp-content\/uploads\/0-13.jpg 650w, https:\/\/www.nicomokveld.nl\/wordpress\/wp-content\/uploads\/0-13-94x141.jpg 94w\" sizes=\"auto, (max-width: 650px) 100vw, 650px\" \/><\/p>\n<blockquote><p>\u201cTo have a painting that can exist as an alluring object and shift into an eroticized figure disarms and naturalizes the modern gaze; decriminalizing sex in art. Whether an individual sexualizes the figure, or becomes embarrassed and nervous by the mere suggestion, this is all a process which occurs independently from the painting. Breaking down barriers of the different modes in which the body can exist in social spheres and contemporary art.\u201d<\/p><\/blockquote>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-large wp-image-826473 aligncenter\" src=\"http:\/\/main-designyoutrust.netdna-ssl.com\/wp-content\/uploads\/2017\/05\/2-79.jpg?iv=1082\" alt=\"\" width=\"650\" height=\"813\" \/><\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-large wp-image-826475 aligncenter\" src=\"http:\/\/main-designyoutrust.netdna-ssl.com\/wp-content\/uploads\/2017\/05\/6-67.jpg?iv=1082\" alt=\"\" width=\"650\" height=\"969\" \/><br \/>\n<img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-large wp-image-826476 aligncenter\" src=\"http:\/\/main-designyoutrust.netdna-ssl.com\/wp-content\/uploads\/2017\/05\/7-64.jpg?iv=1082\" alt=\"\" width=\"650\" height=\"967\" \/><br \/>\n<img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-large wp-image-826477 aligncenter\" src=\"http:\/\/main-designyoutrust.netdna-ssl.com\/wp-content\/uploads\/2017\/05\/8-61.jpg?iv=1082\" alt=\"\" width=\"650\" height=\"935\" \/><br \/>\n<img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-large wp-image-826480 aligncenter\" src=\"http:\/\/main-designyoutrust.netdna-ssl.com\/wp-content\/uploads\/2017\/05\/11-52.jpg?iv=1082\" alt=\"\" width=\"650\" height=\"960\" \/><br \/>\n<img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-large wp-image-826481 aligncenter\" src=\"http:\/\/main-designyoutrust.netdna-ssl.com\/wp-content\/uploads\/2017\/05\/12-47.jpg?iv=1082\" alt=\"\" width=\"650\" height=\"953\" \/><br \/>\n<img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-large wp-image-826484 aligncenter\" src=\"http:\/\/main-designyoutrust.netdna-ssl.com\/wp-content\/uploads\/2017\/05\/15-41.jpg?iv=1082\" alt=\"\" width=\"650\" height=\"986\" \/><br \/>\n<img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-large wp-image-826488 aligncenter\" src=\"http:\/\/main-designyoutrust.netdna-ssl.com\/wp-content\/uploads\/2017\/05\/19-29.jpg?iv=1082\" alt=\"\" width=\"650\" height=\"979\" \/><br \/>\n<img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-large wp-image-826489 aligncenter\" src=\"http:\/\/main-designyoutrust.netdna-ssl.com\/wp-content\/uploads\/2017\/05\/20-29.jpg?iv=1082\" alt=\"\" width=\"650\" height=\"957\" \/><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Ivan Alifan is een getalenteerde kunstenaar die momenteel in Canada woont. Hij is de zoon van de Russische schilder Anna Razumovskaya. Momenteel baart hij opzien met zijn een reeks olieverfschilderijen onder de verzameltitel: It\u2032s Not Milk. Alifan\u2032s portretten combineren overdaad met sensualiteit en doordat het allemaal zo extreem is k\u00e1n het niet anders of roept [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[45],"tags":[],"class_list":["post-24337","post","type-post","status-publish","format-standard","hentry","category-in-beeld"],"_links":{"self":[{"href":"https:\/\/www.nicomokveld.nl\/wordpress\/wp-json\/wp\/v2\/posts\/24337","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.nicomokveld.nl\/wordpress\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.nicomokveld.nl\/wordpress\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.nicomokveld.nl\/wordpress\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.nicomokveld.nl\/wordpress\/wp-json\/wp\/v2\/comments?post=24337"}],"version-history":[{"count":10,"href":"https:\/\/www.nicomokveld.nl\/wordpress\/wp-json\/wp\/v2\/posts\/24337\/revisions"}],"predecessor-version":[{"id":24698,"href":"https:\/\/www.nicomokveld.nl\/wordpress\/wp-json\/wp\/v2\/posts\/24337\/revisions\/24698"}],"wp:attachment":[{"href":"https:\/\/www.nicomokveld.nl\/wordpress\/wp-json\/wp\/v2\/media?parent=24337"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.nicomokveld.nl\/wordpress\/wp-json\/wp\/v2\/categories?post=24337"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.nicomokveld.nl\/wordpress\/wp-json\/wp\/v2\/tags?post=24337"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}